the 43rd international conference and exhibition on
24-28 July
Anaheim, California
To address the large appetite for varied and dynamic vegetation on "Zootopia", the creative team expanded their tool set for procedural vegetation to realize diverse flora across varied environments, populate hundreds of shots with dynamic vegetation, and bring to life the rich world of a mammalian metropolis.
Sara Drakeley
Walt Disney Animation Studios
Maryann Simmons
Walt Disney Animation Studios
Hans Keim
Walt Disney Animation Studios
Jared Reisweber
Walt Disney Animation Studios
Daniel Teece
Walt Disney Animation Studios
Nature plays a major part in Disney/Pixar's "The Good Dinosaur". Each component of the environment had to react to weather and other characters’ actions, which required choreography and simulated motion for each piece of vegetation in the film.
Olivier Soares
Magic Leap, Inc
Thomas Moser
Pixar Animation Studios
Frank Aalbers
Pixar Animation Studios
Gordon Cameron
Pixar Animation Studios
For Disney's "The Jungle Book", we needed to build huge and highly detailed jungle sets. We built a tool set that enables our artists to view and manipulate this amount of data, providing powerful functionality whilst maximising efficiency.
Tom Melson
Moving Picture Company
For Disney's remake of "The Jungle Book", MPC was required to build a jungle comprised of photorealistic trees and other plantlife. The creative team leveraged SpeedTree and Fabric Engine to build a pipeline for those elements. Approximated leaf cards, replaced at render time, maximized the image quality and render performance.
Alexander Schwank
Moving Picture Company
Callum James
Moving Picture Company
Tony Micilotta
Moving Picture Company